Sunday, May 29, 2011

STRATUS SUBMISSIONS

Subject: UW Nonfiction certificate -- new annual Arts anthology "Stratus"

Dear students,

I’m writing to ask for your contributions to a new UWEO annual anthology, “Stratus: Journal of Arts & Writing,” to be produced each summer, featuring the top work of excellent Arts and Writing program graduates, supplemented by contributions by Arts and Writing instructors.

A significant portion of the anthology will be reserved for the best work of our 2010-11 program graduates:

n Creative work (both written and visual)

n Manifestos

n Statements of artistic philosophy

n Conversations amongst pairs or groups of graduates of a program

The anthology will be produced in PDF format and posted on a UW webpage, for print-on-demand accessibility. Please send contributions for consideration to Stratus, at stratus1@uw.edu, using the following specifications (as requested by our book layout editor):

n Written work should be submitted via email, to stratus1@uw.edu, in MS Word.

n Format (font, margins, etc) is not important, but no double returns.

n Graphics must be in 300 dpi tiff or jpeg format.

n Length: 10-12 pages, or about 3,500 words, maximum.

n Submissions accepted: May 15 – July 18, 2011.

n $50 honorarium for each accepted submission.

Please let me know if you have any questions. I look forward to receiving your submissions.

Thanks very much,

Roxanne

Roxanne Ray, Ph.D.

Program Manager, Academic Programs in the Arts

University of Washington

rray@pce.uw.edu

Sunday, May 22, 2011

Inspirational reading (in more ways than one)

From The New York Times Magazine, this is a terrific piece of reporting and writing: a blend of RBHA, keen-eyed profiling, and intelligent backgrounding. Be conscious of its structure as you read it.

Publishing it yourself

Here's an interesting argument in The New York Times today by a mid-career author who's moving into self-publishing:

Wednesday, May 18, 2011

Bleakness in Seattle

Here's the Crosscut piece I mentioned Tuesday night in connection with adaptability. It's a shift in format for me in that much of the "added value" is in the captions for the slide show rather than in the essay, which is unusually short (500 words). What we're doing here is taking advantage of web publication, which let us publish an unlimited number of photos at no cost. If this piece had run in a print newspaper or magazine, we'd have been limited to three or four photos, and readers would have had to visualize the rest of the places through words. Clearly, words + pix makes a better package.

It probably wasn't as rewarding to write as a coherently structured and well-argued 1,000-word essay on the subject. But it was easier, and I think it's more useful and informative for the reader. On balance, that's a win for everyone.

I won't be doing every piece in this format, but we'll use it when appropriate and also keep looking for different multi-media possibilities with web publication. That's what I mean by adaptability.

Friday, May 13, 2011

You're invited

Here are a couple of events that may interest you. The June 1 item is another class in the UW Writers Program, and the instructor is opening the evening's guest speaker talk to anyone in the other classes. It'll be a second perspective on the author/agent axis, and another agent in the region for you to meet.


MAY 19, 2011 - University Bookstore - Bellevue. 990 102nd Ave NE. Bellevue, WA 98004

Time: 5:00 to 7:00 p.m.

Guest Authors:

C.C. Humphreys. How to Plan a Book Tour (followed by a book signing)

Chris is the bestselling author of several historical fiction novels the latest of which is Vlad: THe Last Confession.

Laura Munson. How to turn your life experiences into a bestselling memoir. (followed by a book signing)

Laura's memoir, This is Not The Story You Think It Is has garnered much critical praise. She is also a frequent contributor to Author Magazine.

JUNE 1, 2011 -- Guest Agent at Popular Fiction Class: 1325 4th Ave. Seattle.

Time: 6:30 p.m.

Speaker: Vickie Motter, literary agent with Andrea Hurst and Associates. Vickie represents both fiction and nonfiction.

Topics: The Role of an Agent. What an agent can and cannot do for the author. Vickie will also answer questions regarding how to write Query Letters, Synopsis and Book Proposals.

Bio: Vickie is looking for new and previously published authors dedicated to continuously developing their craft and writing poignant nonfiction or marketable fiction. She enjoys the opportunity of working closely with her authors to help bring a book to life. She has a special love of unique plots, dark themes, strong characters, an engaging voice, and witty humor.

Vickie represents:

Fiction: YA Contemporary, Dystopian, Steam punk, Fantasy, Dark Fantasy, Paranormal, Cozy mysteries.

Nonfiction: Narrative, Humorous memoir, Healthy living, Cookbooks with a strong platform, Current events.


Tuesday, May 10, 2011

Sample scenes from May 10 class

One night I was out running errands while Bruce was paying the bills. When I came in the door and looked from his stricken face to the pile of bills sitting on the table, I felt as though I’d been out dancing, or smoking crack, or having an affair with a Spaniard. The checkbook dangled from his hand in a gesture that semaphored defeat. I suddenly felt guilty for all those boxes of See’s Candies I’d been buying. My husband went to the kitchen. He poured himself the grimmest bowl of cereal ever poured. He hunched over it, his beautiful long spine bent almost to an inverted U, and said, “I just have to say this, Our savings account is almost gone.”

I gave him a hug but didn’t really know what to say. I was already freelancing as much as I could. I was trying to be frugal ...

—Claire Dederer, Poser: My Life in Twenty-Three Yoga Poses

When we moved into our achingly suburban neighborhood ten years ago, I was dismayed by all the grass lawns, and by all the time, noise, gasoline, chemical warfare and air pollution invested in maintaining them. In a fit of reactionary protest I bought a human-powered push mower. The first time I mowed my front lawn, it actually drew a crowd of neighborhood kids, who’d never seen such a contraption before.

“How come your mower doesn’t have a motor?” one asked.

I felt a teachable moment coming on. “Because there’s only so much gasoline left on earth,” I said. “We ought to save it for more important things than mowing lawns.”

The kid stood there for a moment, looking thoughtful. I wondered if I’d successfully implanted the conservation germ. He turned and wandered away. A few minutes later he was back.

“I told my dad what you said,” he reported. “He said you’re a nut.”

—Lawrence W. Cheek, The Year of the Boat

Nothing typified the realms of male and female as clearly as my parents’ walk-in closets. Home alone for any length of time, I always found my way inside them. I could stare at my parents’ clothes for hours, grateful for the stillness and silence, haunting the very heart of their privacy.

The overhead light in my father’s closet was a bare bulb. Whenever I groped for the chain in the dark, it wagged back and forth and resisted my grasp. Once the light clicked on, I saw dozens of ties hanging like stalactites.... Shirts were cramped together along the length of an aluminum pole, their starched sleeves sticking out as if in a halfhearted gesture of greeting. The medicinal odor of mothballs permeated the boxer shorts that were folded and stacked in a built-in drawer. Immaculate underwear was proof of a tenderness my mother couldn’t otherwise express; she may not have touched my father often, but she laundered his boxers with infinite care.

—Bernard Cooper, “Burl’s”

One rainy March morning two years later, the phone rings. Do you want the Indian pictures? she says. Their eyes make me sad. Because of her voice, you rush over. When she answers the door, the framed pictures of the chief and the brave are stacked by the door, the babies are crying, kittens are mewing, and darkness circles your sister’s eyes. You hope it is from sleeplessness but you’re not sure. I’ve got to do something about all this, she says, spreading her arms to include the brown sofa, the vinyl chair, her husband’s tray of stale ashes. She has five dollars in her purse. You have twenty. Today, she says. You pack the children into the car seats and pull away from the curb in search of spring ....

—Rebecca McClanahan, “Interstellar”


The first time I cheated on my husband, my mother had been dead for exactly one week. I was in a cafe in Minneapolis watching a man. He watched me back. He was slightly pudgy, with jet-black hair and skin so white it looked as if he’d powdered it. He stood and walked to my table and sat down without asking. He wanted to know if I had a cat. I folded my hands on the table, steadying myself; I was shaking, nervous at what I would do. I was raw, fragile, vicious with grief. I would do anything.

“Yes,” I said.

“I thought so,” he said slowly. He didn’t take his eyes off me. I rolled the rings around on my fingers. I was wearing two wedding bands, my own and my mother’s ....

—Cheryl Strayed, “The Love of My Life”

Fourteen-year-old Jamie has a secret. Not many of her friends know, but she’s a junkie. And not your typical junkie. She’s addicted to vinyl.

Jamie began listening to vinyl when she was 12 and her dad taught her how to handle LPs and his direct-drive turntable. She would sit for hours listening to Jimi Hendrix, The Moody Blues, The Beatles, ZZ Top .... She says she even finds a lot of her dad’s jazz records to be cool. She and her dad don’t do a lot together. He goes to all of her basketball games, and school functions, but they didn’t just hang out together. Now though, Jamie says she finds they sit and listen to LPs and talk about the music a few hours every week.

Jamie says she has learned more about her dad in the last year than she learned in the previous 13. She says an album takes him back to what was going on his life as a teenager. He’s told her about his mom dying and the effect that had on him as an 18-year old as they were listening to Madonna’s first album ...

—Steve Aagard

Monday, May 9, 2011

Where Edges Meet

One of the many ways I avoid writing while simultaneously persuading myself that I’m “working on writing” is by reading books about writing or, for that matter, reading any book, article or blog post. And it's true, I’m probably learning something about writing even if it’s what not to do.

I know. I know. I need to just write. But there is an upside to my relentless guidance seeking. Once in a while, I read something that pings. I can feel it ricocheting around my brain, generating more pings, creating a ruckus. And last week this happened twice with promising synchronicity. I was reading Mary Pipher’s Writing to Change the World because: (1) I wouldn’t mind changing the world and (2) it was easier than writing, when the following passage started to ping:

Everything really interesting and powerful happens at the borders. Borders teem with life, color, and complexity. . . . Think about the borders between things—between the U.S. and Mexico, between history and geography, between science and art, between childhood and adulthood, between men and women. Edge habitats are a good place to look for material.

I love this idea of “edge habitats,” transition zones, places where different cultures meet. As it happened, the next day I started reading The Spirit Catches You and You Fall Down by Anne Fadiman (inspired by Laura’s great report on Ex Libris). On the second page of the preface, Fadiman writes:

I have always felt that the action most worth watching is not at the center of things but where edges meet. I like shorelines, weather fronts, international borders. There are interesting frictions and incongruities in these places, and often, if you stand at the point of tangency, you can see both sides better than if you were in the middle of either one.

Since reading these passages, I’ve backed away from the epicenter of my subjects, started looking around the edges. I’m enjoying this new perspective. I may even write about it.

Tuesday, May 3, 2011

New Article in Earshot

My profile of bassist Chuck Deardorf is in the May issue of Earshot Jazz.

When I was finished interviewing Chuck for the article he said, "Do you know about the thing?" I didn't. "I need a kidney transplant." That was a big topic that I almost missed.

The editor improved the article by moving some of the later paragraphs to earlier spots in the piece. The article was held for two months so that Chuck's induction into the Earshot Jazz Hall of Fame could be included. This made a paragraph about his gigs in April obsolete. Also during this time, Chuck found a kidney donor and had a successful transplant between the May issue deadline and publication.

Monday, May 2, 2011

Reading for May 10

Here's a fun and highly original antidote for the grim "Torch Song," and I'm pretty sure you'll enjoy it. It was originally published under the title "Sail on, My Little Honey Bee" but retitled (much better) "You Be the Moon" when it was selected for Best American Essays 2009. As you read it, try to imagine how the writer trained her mind to take these unexpected leaps and just ...let 'em rip.